Free improvisation at On the Brink in conjunction with Over the Top. A courtyard gig featuring two improvising ensembles.
J[a]B[a]W (Geoff Bright/John Jasnoch/Gill Whiteley) is a free improvisation outfit featuring eclectic, hybrid instrumentation and vocalisation, creating an organic mash-up veering from delicate abstraction through insistent sonic curiosity to strident rhythmic statement.
Date and time Sunday, October 10, 2021 at 3:00 PM – 5:00 PM Tickets from Eventbrite
Location On the Brink Co Housing Community Ltd, 90 Osborne Road, Sheffield View Map
New audio-visual production – Daily into the Blue – from Geoff Bright and Gill Whiteley [the gathering…the chewing] plus our long-time collaborator, Walt Shaw – freely improvised soundscape produced under lockdown conditions and at a distance. Premiered on Saturday 27 March 2021 in Here, There, Everywhere at AC Institute, New York. See here….
Just looking back to this project – Pan-demonium – created in 2009, first staged at the AC Institute in New York…consisting of a multimedia exhibition and accompanying publication exploring the notion of ‘pan-demons’, ‘pan-demics’ and all things ‘pan’ in the light of the global political, ecological and economic situation and viral forces of ‘contagion’ at the time….the notion of the pandemic was merely metaphorical then… how prescient it seems now…
This Sunday’s Mopomoso online TV Channel improvisation session – Matriarchal Mopomoso – is dedicated to women in improvisation – and it will include the third lockdown video from Les Petroleuses ( Lyn Hodnett and Gill Whiteley) – as it happens, celebrating 150 years since the 1871 Paris Commune!
Join us ‘unruly women’ improvisers on the barricades….
Geoff Bright, Anton Hunter and Gill Whiteley performed and presented at this two-day online event exploring the improviser’s experience. Our intention was to problematise, through performance, how ‘power’ in different forms – in this case ‘instructions’ – might influence knowledge produced in improvised performance, and how that process may differ between structured or ‘free’ improvisation settings. ( For full abstracts of presentations at the event see here)
Following the 10 mins performance (5 mins with instructions not known to the other players + 5 mins free improv), we then conducted an in-depth reflective discussion of the subjectively experienced differences in power relations between the two performance phases. Time restrictions at the event meant we were unable to include the discussion in our presentation at the workshop but its available here below.