[the gathering…the chewing] is Geoff Bright and Gillian Whiteley
[the gathering…the chewing] is a performance practice that works with two related hemispheres: Re-so[u]rceries and Re-sonations, both of which are inspired by the problematic of the pharmakon (the idea that ‘in poison be physic’).
[the gathering…the chewing] was germinated by a reading of Dale Pendell’s wondrously dangerous Pharmako trilogy, particularly the section ‘Existentia’ in Pharmako/Poeia , Plant Powers, Poisons and Herbcraft (Mercury House, 1995). We heard Dale speak to this at City Lights bookstore on Columbus Avenue, San Francisco on a balmy evening in April 2006 and have been followers ever since.
Re-so[u]rceries sets up a productive collision between sorcery and source materials brought together in a durational site-specific practice.
Re-sonations is primarily a sonic performance that chews up concepts, words, imagery, texts and clashing idioms from militant free jazz, through incantatory folk to misophonic repetition. Manifestations might sometimes combine both hemispheres or focus on one.
[the gathering…the chewing] will gather, reap, pick, forage, glean, chew, ruminate, masticate, re-gurgitate, vomit, spit out and spew
Re-sonations often involve improvisation on soprano/tenor/bass saxophones, harmonica, piano accordion, melodeon, hurdy-gurdy, violin, shruti box, harmonium, recorders, pixiephone, whistles, toys, voices and speaking in tongues…
Gorbachev and the elephant’s lament listen here
25 mins live improvisation using bass and soprano saxes, violin, hurdy-gurdy, recorder, shruti box, piano accordion, pixiephone recorded 10 April 2019
someone held out his open hand listen here
live improvisation using voices, violin and shruti box recorded on the eve of the Super Blood Wolf Moon 20 January 2019
He’s only moved in next door!
live vocal improvisation recorded at The Limes 15 March 2019
Biffo’s petite bouffe
live improvisation piano accordion, bass sax and vocals recorded at The Limes 15 March 2019
live improvisation violin and soprano sax recorded at The Limes 15 March 2019